Adire eleko motif investing

adire eleko motif investing

PDF | Tie-dye Adire is not only an art of fabric production and decoration with twain as material for its production, Adire Eleko resist. Our focus in this work is on adire eleko, and this is because of its great and wide range of changing motifs, themes and symbols. A wooden stamp of engraved motif or brush can also be used to transfer design on the fabric. Kampala/adire-eleko is a valued sample of African art and. Z4X FOREX SYSTEM

Both the indigo-dyed fabric and procion —dyed fabric are now essential commodities and in great demand by Brazilians, Italians, Germans, English, Americans and so on. The fabric is largely produced in Mali and Nigeria. Coming back home, Kuto in Abeokuta, Akerele road in Lagos, Osogbo and Kano are noted for an array of this wonderful fabric production of Africa. The other style is called Adire-Eleko. This involves the use of either pap, starch or wax to prevent the dye from penetrating, therefore creating patterns after dyeing.

Having any good design in fabric involves artistic complexity and requires much patience, skill and artistry. These can be achieved with years of experience. When you put it on anytime, people begin to admire and appreciate the work of African designs. Furthermore, we train and empower women, youth and kids in schools. This also helps to preserve art tradition, culture, rich heritage and textile making skills in Nigeria. NETYARTS empowering women and youth in craft at the Lagos state council for arts and culture Netyarts training kids on how to create their own designs on t-shirt and dye How did you come about the name and what does it mean?

Netifah is the name given to me by my parents which means blessing and so I decided to be a blessing to others through art. Through training, empowering and producing. I simply shortened the name and added art to it — Netyarts. Art is the expression of human creative skills and imagination in a visual form. Netyarts is a blessing of creative beauty. What is your niche and how did you know it was a market to get into?

I had no idea that it was a market to get into at first. Textile Designing is large and vast. I love changing colours and find to very fascinating. Our indigenous Adire fabric is becoming a very appreciating work of art all over the world. Many self-expression fashion designers draw inspiration from it, same as me. Where do you get the inspiration for your products?

Self-expression — imagination, the society. The more I improve myself, the more I can help the world around me. I have the power to spread love to each and every person that crosses my path through my art. Can you remember one of the first products you made? What makes it memorable? What are some of the challenges you face in your business?

Every business has its own challenges and for my industry, I have encountered a few. The cost of the production. All our fabrics ranging from cotton down to denim are of superior quality, which is expensive to get, and that is why the dye craft and resist motif come out looking rich and vibrant while the fabric still remains in perfect condition after going through numerous dyeing processes.

The process. Due to the fact that everything regarding the making of adire is handmade, the production process might seem slow because of the different motif and resist being used. More so, the weather climate plays a major role in our process. Excessive rainfall could hinder post production [the drying stage].

What problems does your company solve? Youths and children, especially women need to be empowered. We give them skills that the can use to fend for themselves. Do you have any regrets venturing into this line of business? Not at all. Although I wish I knew half of what I know now. It would have probably made the journey a lot easier [laughing].

Adire eleko motif investing investing presentation

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Adire is an indigo-dyed cloth made in in Nigeria by Yoruba women and men, using a variety of resist dyeing technique which involves creating a pattern by treating certain parts of the fabric to prevent them absorbing dye. Adire, translated in English means tied and dye which speaks to the process employed in making the clothes.

So, you are right, the process is the name of the cloth in the Yoruba language. Welcome to learning more about Adire. The indigenous production of indigo-dyed adire involves the input of two specialists, the dyers Alaro , who control production and marketing of adire, and decorators Aladire , who creates the design patterns.

In the oldest forms of Adire, two basic resist techniques were used to create soft blue or white designs to contrast with a deeply saturated indigo blue background. Adire Oniko is tied or wrapped with raffia to resist the dye. The raffia palm is stripped, and the spine sewn into the fabric. After dyeing the raffia is usually ripped out, although some choose to leave it in and let wear and tear on the garment slowly reveal the design.

Adire Eleko has starchy maize or cassava paste hand-painted onto the surface of the cloth as a resist agent. Traditionally done with different size chicken feathers, calabash carved into different designs are also used, in a manner similar to block printing. Since the early twentieth century, metal stencils cut from the sheets of tin that lined tea chests have also been used.

Further experimentation led to two additional techniques; Adire Alabere which involves stitching the cloth with thread prior to dyeing to produce fine-lined motifs. Adire Batani is produced with the aid of zinc stencils to control the application of the resist starch. The cloth would be dipped into a large pot of dye, and then pulled out to allow it to oxidise — a process which could be repeated to make the colour darker.

Sometimes after it had been dyed the cloth would be beaten with a mallet so it took on a sheen. Contemporary cotton dyeing in Nigeria, Cliff, Wikimedia Creative Commons. Creating pattern Before dyeing, the cloths would be treated in a variety of ways to prevent certain parts of the fabric from absorbing dye. This would create the patterns revealed after the dyeing process. Raffia and starch were the two most common forms of resist-dyeing used.

For example, tying small stones or seeds into the cloth would create small circles, or larger circles could be made by lifting a point of fabric and binding the fabric beneath it tightly. Detail of an indigo resist-dyed cotton in 'moons and fruits' pattern, Ibadan, Nigeria, s.

Museum no. One example made in Ibadan in the s features five rows of large circles with small circles filling the rest of the cloth, a pattern known there as olosupaeleso, or 'moons and fruits'. Indigo resist-dyed cotton in 'moons and fruits' pattern, Ibadan, Nigeria, s.

When the two pieces of dyed cloth were stitched together it created a diamond shaped pattern with alternating blue and white stripes. The broadness of the stripes could be varied by the intervals at which it was bound. When purchasing one example produced by the folding and tying method, the curators were told the design was considered 'cloth of the year' in , supplanting the previously popular olosupaeleso design, which peaked in Both machine sewing and hand sewing could be used to produce patterns.

The starch was only applied to one side of the cloth so the underside would be plain blue. Starch could be applied through a stencil or painted on to the cloth freehand using a piece of metal to create a great variety of patterns.